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<title>Rick Collignon - Free Library Land Online - Crime</title>
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<title>A Santo in the Image of Cristóbal García</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/rick-collignon/a_santo_in_the_image_of_cristobal_garcia.jpg"><img src="https://picture.graycity.net/img/rick-collignon/a_santo_in_the_image_of_cristobal_garcia_preview.jpg" class="fr-fic fr-dib" title ="A Santo in the Image of Cristóbal García" alt ="A Santo in the Image of Cristóbal García"/></a><br//>The gentle-hearted Flavio Montoya returns,<BR>now as the aged scion of his family, still tending<BR>his sister Ramona&#8217;s fields and wondering how all<BR>of his family could have died before him. When<BR>the mountains surrounding Guadalupe erupt in<BR>flames, the history of the village seems to be set<BR>loose in the smoke. The dead arrive and the silent<BR>speak. When Flavio is accused of starting the fire<BR>that quickly threatens to consume the village, the<BR>disaster becomes one more mystery that he must<BR>fold into his own memory, though he cannot quite<BR>understand any of it.<BR>A Santo in the Image of Crist&#243;bal Garc&#237;a is a<BR>beautiful, funny, even epic tale of how all history is<BR>finally personal.]]></description>
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<pubDate>Tue, 26 Nov 2002 15:30:57 +0200</pubDate>
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<title>Perdido</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/rick-collignon/perdido.jpg"><img src="https://picture.graycity.net/img/rick-collignon/perdido_preview.jpg" class="fr-fic fr-dib" title ="Perdido" alt ="Perdido"/></a><br//>Madewell Brown walked into the village on a hot, dry day in 1946. A solitary black man with one arm longer than the other, he had never found a place for himself. Never, that is, until he had painted his own history on the interior walls of his adobe house in Guadalupe.<BR><BR>Fifty years later, Will Sawyer&#8217;s truck runs out of gas, and as he walks that same long road back into town he knows it&#8217;s best to keep his eyes on the ground. But he doesn&#8217;t understand the town&#8217;s long history of displacement or the difficulty of truly fitting in there, until he hears the story of the dead girl found hanging from Las Manos Bridge.<BR><BR>In Perdido, Rick Collignon returns to the same magical village he first introduced in The Journal of Antonio Montoya.<BR><BR>In Perdido, Collignon returns to the same magical town he first introduced in The Journal of Antonio Montoya. Once again mixing present and past, living and dead, he delivers a forthright and unflinching...]]></description>
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<pubDate>Wed, 26 Nov 1997 15:30:57 +0200</pubDate>
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<title>The Journal of Antonio Montoya</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/rick-collignon/the_journal_of_antonio_montoya.jpg"><img src="https://picture.graycity.net/img/rick-collignon/the_journal_of_antonio_montoya_preview.jpg" class="fr-fic fr-dib" title ="The Journal of Antonio Montoya" alt ="The Journal of Antonio Montoya"/></a><br//>We are proud to reintroduce the classic first novel by the author of Madewell Brown.<BR>When little Jos&#233; Montoya&#8217;s parents are killed one August morning by a cow, his Tia Ramona and his Tio Flavio are troubled by how best to raise the boy. After the funeral, they drive to their childhood home behind the village office, but &#147;before they reach the house, the front door swung open and Ramona&#8217;s grandfather, Epolito Montoya, who had been dead for thirteen years, stood in the doorway. &#145;Why are you out in the rain?&#8217; he said.&#8221;<BR>Ramona has returned reluctantly to this isolated village in northern New Mexico and to the family that never lets go. As she tries to build a modern life here on her own terms, and still to care for young Jos&#233;, she discovers that she can reach through time, see the richness of her heritage, and reclaim riches, knowledge, art that disappeared generations ago. In fact, she can speak with her ancestors and learn their...]]></description>
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<pubDate>Tue, 26 Nov 1996 17:38:18 +0200</pubDate>
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<title>Madewell Brown</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/rick-collignon/madewell_brown.jpg"><img src="https://picture.graycity.net/img/rick-collignon/madewell_brown_preview.jpg" class="fr-fic fr-dib" title ="Madewell Brown" alt ="Madewell Brown"/></a><br//>As recorded in Rick Collignon&#8217;s second novel,<BR>Perdido, a tall black man with one arm longer than<BR>the other walked into Guadalupe, New Mexico one<BR>morning about 50 years ago, stayed pretty much<BR>to himself for seven years, and then walked back<BR>out of town. No one knew who he was or what<BR>became of him.<BR>Now, as his last act, an old man named Ruffino<BR>Trujillo tells his grown son Cipriano a story about<BR>what became of the black man. After Ruffino&#8217;s<BR>death, Cipriano discovers an old canvas bag<BR>bearing the name of Madewell Brown. Inside are<BR>a hand-carved doll, an old blanket, an unlabeled<BR>photo of a Negro League baseball team, and a<BR>small, yellowing envelope that was never posted.<BR>Thinking it the least he can do, Cipriano mails the<BR>letter. When it arrives in Cairo, Illinois, it comes<BR>into the hands of a young woman named Rachael,<BR>who believes it is from her lost grandfather. She<BR>believes this because of all that she&#8217;s...]]></description>
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<pubDate>Thu, 26 Nov 2009 15:30:58 +0200</pubDate>
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